External MSC MIDI Triggering

[Spam Butterfly]

I have similar experiences to Nev with LX programmers. Most of them don't mind adding a blank cue or two to allow a bit of conducive MSC triggering, but that is generally as far as it goes.

Medialon is a big hammer to crack a small nut - most modern moving light desks do MSC quite well. I've used Medialon very successfully to control Catalysts via MSC, but it is a very expensive solution.

Hugh

[gazzer82]

Also DMX isn't always the way to go, in a situation where you have a lot of cues that coincide with LX cues it can often be simpler to hook into the MSC cues that a lot of desks send automatically. This negates the need for the LX programmer to have to add cues to trigger video when he is up to his eye balls in plotting the actual LX cues. He can then just add dummy cues on the odd occasion that there isn't an existing cue for you to piggy back on.

[SourceChild]

Also DMX isn't always the way to go, in a situation where you have a lot of cues that coincide with LX cues it can often be simpler to hook into the MSC cues that a lot of desks send automatically. This negates the need for the LX programmer to have to add cues to trigger video when he is up to his eye balls in plotting the actual LX cues. He can then just add dummy cues on the odd occasion that there isn't an existing cue for you to piggy back on.

Since I prefer the Hog 3, MA2, or Vector when programming, I am not always considering other desks. However, I still can't understand how you'd save time when using a CAT preset trigger is literally 1 DMX value on one DMX channel and their are profiles built on all three of those desks to quick select it.

I've honestly only found that the best use for MIDI into Catalyst is in using a Medialon or as a TimeCode Source.

[NevBull]

I have to agree with Gareth - in the busy production period of a theatre show - the LX programmer usually wants nothing to do with video and having to create cues is a major pain for them. So the easiest solution is not to bug them, use the MSC outputs and to ask for as fewer 'video' cues to be created as possible.

I have also just put a couple of systems together for bands touring their own video system to festivals - a two mac mini server system in a nice little 4u rack. Self contained and easy to use. We have used MIDI over the network, as included as standard in Mac OS. The noise boys send a MIDI note to preset a sequence, another to GO and the third to fade out.

This has worked very nicely, and allowed the band to tour their own playback system that is usable with most screens/projection setups that festivals can provide.

The other benefit from using MIDI over ethernet is, that there are no short cable restrictions and you don't need another interface to go wrong!

Nev.